Great Expectations: 43rd Installment cover

Great Expectations: 43rd Installment

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By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.





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Great Expectations: 43rd Installment

Chapter XLVII

Some weeks passed without bringing any change. We waited for Wemmick, and he made no sign. If I had never known him out of Little Britain, and had never enjoyed the privilege of being on a familiar footing at the Castle, I might have doubted him; not so for a moment, knowing him as I did.

My worldly affairs began to wear a gloomy appearance, and I was pressed for money by more than one creditor. Even I myself began to know the want of money (I mean of ready money in my own pocket), and to relieve it by converting some easily spared articles of jewelery into cash. But I had quite determined that it would be a heartless fraud to take more money from my patron in the existing state of my uncertain thoughts and plans.

Untouched

A late Victorian moleskin pocket book>

Untouched

Therefore, I had sent him the unopened pocket-book by Herbert, to hold in his own keeping, and I felt a kind of satisfaction—whether it was a false kind or a true, I hardly know—in not having profited by his generosity since his revelation of himself.

As the time wore on, an impression settled heavily upon me that Estella was married. Fearful of having it confirmed, though it was all but a conviction, I avoided the newspapers, and begged Herbert (to whom I had confided the circumstances of our last interview) never to speak of her to me.

Why I hoarded up this last wretched little rag of the robe of hope that was rent and given to the winds, how do I know? Why did you who read this, commit that not dissimilar inconsistency of your own last year, last month, last week?

It was an unhappy life that I lived; and its one dominant anxiety, towering over all its other anxieties, like a high mountain above a range of mountains, never disappeared from my view.

Goes On

Illustration by John McLenan, 1861

Goes On

Still, no new cause for fear arose. Let me start from my bed as I would, with the terror fresh upon me that he was discovered; let me sit listening, as I would with dread, for Herbert's returning step at night, lest it should be fleeter than ordinary, and winged with evil news,—for all that, and much more to like purpose, the round of things went on.

Condemned to inaction and a state of constant restlessness and suspense, I rowed about in my boat, and waited, waited, waited, as I best could.

There were states of the tide when, having been down the river, I could not get back through the eddy-chafed arches and starlings of old London Bridge; then, I left my boat at a wharf near the Custom House, to be brought up afterwards to the Temple stairs. I was not averse to doing this, as it served to make me and my boat a commoner incident among the water-side people there. From this slight occasion sprang two meetings that I have now to tell of.

Carefully

Illustration by F. A. Fraser. c. 1877.

Carefully

One afternoon, late in the month of February, I came ashore at the wharf at dusk. I had pulled down as far as Greenwich with the ebb tide, and had turned with the tide. It had been a fine bright day, but had become foggy as the sun dropped, and I had had to feel my way back among the shipping, pretty carefully.

Both in going and returning, I had seen the signal in his window, All well.

As it was a raw evening, and I was cold, I thought I would comfort myself with dinner at once; and as I had hours of dejection and solitude before me if I went home to the Temple, I thought I would afterwards go to the play.

The theatre where Mr. Wopsle had achieved his questionable triumph was in that water-side neighborhood (it is nowhere now), and to that theatre I resolved to go. I was aware that Mr. Wopsle had not succeeded in reviving the Drama, but, on the contrary, had rather partaken of its decline.

He had been ominously heard of, through the play-bills, as a faithful Black, in connection with a little girl of noble birth, and a monkey. And Herbert had seen him as a predatory Tartar of comic propensities, with a face like a red brick, and an outrageous hat all over bells.

I dined at what Herbert and I used to call a geographical chop-house, where there were maps of the world in porter-pot rims on every half-yard of the tablecloths, and charts of gravy on every one of the knives,—to this day there is scarcely a single chop-house within the Lord Mayor's dominions which is not geographical,—and wore out the time in dozing over crumbs, staring at gas, and baking in a hot blast of dinners.

By and by, I roused myself, and went to the play.

There, I found a virtuous boatswain in His Majesty's service,—a most excellent man, though I could have wished his trousers not quite so tight in some places, and not quite so loose in others,—who knocked all the little men's hats over their eyes, though he was very generous and brave, and who wouldn't hear of anybody's paying taxes, though he was very patriotic.

He had a bag of money in his pocket, like a pudding in the cloth, and on that property married a young person in bed-furniture, with great rejoicings; the whole population of Portsmouth (nine in number at the last census) turning out on the beach to rub their own hands and shake everybody else's, and sing "Fill, fill!"

A certain dark-complexioned Swab, however, who wouldn't fill, or do anything else that was proposed to him, and whose heart was openly stated (by the boatswain) to be as black as his figure-head, proposed to two other Swabs to get all mankind into difficulties; which was so effectually done (the Swab family having considerable political influence) that it took half the evening to set things right, and then it was only brought about through an honest little grocer with a white hat, black gaiters, and red nose, getting into a clock, with a gridiron, and listening, and coming out, and knocking everybody down from behind with the gridiron whom he couldn't confute with what he had overheard.

This led to Mr. Wopsle's (who had never been heard of before) coming in with a star and garter on, as a plenipotentiary of great power direct from the Admiralty, to say that the Swabs were all to go to prison on the spot, and that he had brought the boatswain down the Union Jack, as a slight acknowledgment of his public services.

The boatswain, unmanned for the first time, respectfully dried his eyes on the Jack, and then cheering up, and addressing Mr. Wopsle as Your Honor, solicited permission to take him by the fin. Mr. Wopsle, conceding his fin with a gracious dignity, was immediately shoved into a dusty corner, while everybody danced a hornpipe; and from that corner, surveying the public with a discontented eye, became aware of me.

Christmas Pantomime

Cover, Pantomime F. Warne & Co., 1890

Christmas Pantomime

The second piece was the last new grand comic Christmas pantomime, in the first scene of which, it pained me to suspect that I detected Mr. Wopsle with red worsted legs under a highly magnified phosphoric countenance and a shock of red curtain-fringe for his hair, engaged in the manufacture of thunderbolts in a mine, and displaying great cowardice when his gigantic master came home (very hoarse) to dinner.

But he presently presented himself under worthier circumstances; for, the Genius of Youthful Love being in want of assistance,—on account of the parental brutality of an ignorant farmer who opposed the choice of his daughter's heart, by purposely falling upon the object, in a flour-sack, out of the first-floor window,—summoned a sententious Enchanter; and he, coming up from the antipodes rather unsteadily, after an apparently violent journey, proved to be Mr. Wopsle in a high-crowned hat, with a necromantic work in one volume under his arm.

The business of this enchanter on earth being principally to be talked at, sung at, butted at, danced at, and flashed at with fires of various colors, he had a good deal of time on his hands.

And I observed, with great surprise, that he devoted it to staring in my direction as if he were lost in amazement.

There was something so remarkable in the increasing glare of Mr. Wopsle's eye, and he seemed to be turning so many things over in his mind and to grow so confused, that I could not make it out. I sat thinking of it long after he had ascended to the clouds in a large watch-case, and still I could not make it out. I was still thinking of it when I came out of the theatre an hour afterwards, and found him waiting for me near the door.

"How do you do?" said I, shaking hands with him as we turned down the street together. "I saw that you saw me."

"Saw you, Mr. Pip!" he returned. "Yes, of course I saw you. But who else was there?"

"Who else?"

"It is the strangest thing," said Mr. Wopsle, drifting into his lost look again; "and yet I could swear to him."

Becoming alarmed, I entreated Mr. Wopsle to explain his meaning.

"Whether I should have noticed him at first but for your being there," said Mr. Wopsle, going on in the same lost way, "I can't be positive; yet I think I should."

Involuntarily I looked round me, as I was accustomed to look round me when I went home; for these mysterious words gave me a chill.

"Oh! He can't be in sight," said Mr. Wopsle. "He went out before I went off. I saw him go."

Having the reason that I had for being suspicious, I even suspected this poor actor. I mistrusted a design to entrap me into some admission. Therefore I glanced at him as we walked on together, but said nothing.

"I had a ridiculous fancy that he must be with you, Mr. Pip, till I saw that you were quite unconscious of him, sitting behind you there like a ghost."

My former chill crept over me again, but I was resolved not to speak yet, for it was quite consistent with his words that he might be set on to induce me to connect these references with Provis. Of course, I was perfectly sure and safe that Provis had not been there.

"I dare say you wonder at me, Mr. Pip; indeed, I see you do. But it is so very strange! You'll hardly believe what I am going to tell you. I could hardly believe it myself, if you told me."

"Indeed?" said I.

Memory

Memory

"No, indeed. Mr. Pip, you remember in old times a certain Christmas Day, when you were quite a child, and I dined at Gargery's, and some soldiers came to the door to get a pair of handcuffs mended?"

"I remember it very well."

"And you remember that there was a chase after two convicts, and that we joined in it, and that Gargery took you on his back, and that I took the lead, and you kept up with me as well as you could?"

"I remember it all very well." Better than he thought,—except the last clause.

"And you remember that we came up with the two in a ditch, and that there was a scuffle between them, and that one of them had been severely handled and much mauled about the face by the other?"

"I see it all before me."

"And that the soldiers lighted torches, and put the two in the centre, and that we went on to see the last of them, over the black marshes, with the torchlight shining on their faces,—I am particular about that,—with the torchlight shining on their faces, when there was an outer ring of dark night all about us?"

"Yes," said I. "I remember all that."

"Then, Mr. Pip, one of those two prisoners sat behind you tonight. I saw him over your shoulder."

"Steady!" I thought. I asked him then, "Which of the two do you suppose you saw?"

"The one who had been mauled," he answered readily, "and I'll swear I saw him! The more I think of him, the more certain I am of him."

"This is very curious!" said I, with the best assumption I could put on of its being nothing more to me. "Very curious indeed!"

I cannot exaggerate the enhanced disquiet into which this conversation threw me, or the special and peculiar terror I felt at Compeyson's having been behind me "like a ghost." For if he had ever been out of my thoughts for a few moments together since the hiding had begun, it was in those very moments when he was closest to me; and to think that I should be so unconscious and off my guard after all my care was as if I had shut an avenue of a hundred doors to keep him out, and then had found him at my elbow.

I could not doubt, either, that he was there, because I was there, and that, however slight an appearance of danger there might be about us, danger was always near and active.

I put such questions to Mr. Wopsle as, When did the man come in? He could not tell me that; he saw me, and over my shoulder he saw the man. It was not until he had seen him for some time that he began to identify him; but he had from the first vaguely associated him with me, and known him as somehow belonging to me in the old village time.

How was he dressed? Prosperously, but not noticeably otherwise; he thought, in black.

Was his face at all disfigured? No, he believed not. I believed not too, for, although in my brooding state I had taken no especial notice of the people behind me, I thought it likely that a face at all disfigured would have attracted my attention.

When Mr. Wopsle had imparted to me all that he could recall or I extract, and when I had treated him to a little appropriate refreshment, after the fatigues of the evening, we parted. It was between twelve and one o'clock when I reached the Temple, and the gates were shut. No one was near me when I went in and went home.

Letter

Letter

Herbert had come in, and we held a very serious council by the fire. But there was nothing to be done, saving to communicate to Wemmick what I had that night found out, and to remind him that we waited for his hint. As I thought that I might compromise him if I went too often to the Castle, I made this communication by letter.

I wrote it before I went to bed, and went out and posted it; and again no one was near me. Herbert and I agreed that we could do nothing else but be very cautious.

And we were very cautious indeed,—more cautious than before, if that were possible,—and I for my part never went near Chinks's Basin, except when I rowed by, and then I only looked at Mill Pond Bank as I looked at anything else.