Seeing is Believing: the Trick of the Trompe l’oeil in Art
Trompe l’oeil, means to ‘deceive the eye’. It's a fantastic bit of trickery that makes us think we're seeing something other than what's really there. How did it get started? Well, it started with a bet...
(CC BY-SA 3.0)
NoteStreams are readable online but they’re even better in the free App!
The NoteStream™ app is for learning about things that interest you: from music to history, to classic literature or cocktails. NoteStreams are truly easy to read on your smartphone—so you can learn more about the world around you and start a fresh conversation.
For a list of all authors on NoteStream, click here.
Read the NoteStream below, or download the app and read it on the go!
Battle of Livorno, 14 March 1653, an incident from the First Anglo-Dutch War, anonymous. Rijksmuseum, public domain.
At first, the painting above looks like many you’ve seen before. A grand, naval scene with clouds billowing above inflated sails. But hang on. What’s that in the bottom corner? A crumpled note of some kind. A little flourish from the artist telling you which ship is which.
Plafondstuk voorstellende “De Faam”, Adriaen van der Werff. Rotterdam Museum, CC BY.
It’s just one example of a trompe l’oeil, meaning to ‘deceive the eye’ when translated from the French. It’s an artistic trick turning two dimensions into three. Art history is full of them – from banquet tables groaning with delicacies good enough to reach out and eat, to wallpaper that beckons you down a phantom corridor. Fittingly for an optical trick, the trompe l’oeil can take all shapes and sizes.
Like many great inventions, the trompe l’oeil started out with a competition. Two painters, Zeuxis and Parrhasius, came head to head in ancient Greece, both eager to prove they were the superior artist.
Their challenge? To paint the most deceptively life-like work of art.
Zeuxis was up first, and painted some grapes so juicily real birds flew down to steal them. Parrhasius went next. He invited Zeuxis to unveil his rival work. When Zeuxis went to draw the curtain aside, he realised he had been beaten. The curtain was merely an illusion.
Both SMK, CC0.
Works by keen practitioner of the trompe l’oeil, Cornelius Norbertus Gijsbrechts (1657-1683). A Cabinet of Curiosities with an Ivory Tankard, An Open Cabinet of Curiosities with a Hercules Group.
British Library, public domain, Bear from BL Royal 19 C VIII, f. 1. Hugues de Lannoy, Quentin Poulet.
Since then, artists, engravers and illustrators have revelled in fooling their viewers with this clever effect, playing with perspective to blur the boundary between the real and the fake. Following, we’ve picked some of the more elaborate trompe l’oeil from our collections – did any of them fool you?
Trompe l’oeil. Brevvaeg med bartskaer-instrumenter, 1668. Cornelius Norbertus Gijsbrechts.
Trompe l’oeil med ateliervaeg og vanitas-stilleben, 1668. Cornelius Norbertus Gijsbrechts.
Carl Hofverberg, Skoklosters Slott. CC BY-SA.
Stilleben, trompe l’oeil.
Carl Hoverberg, Livrustkammaren. CC BY-SA.
Målning, trompe l’oeil.
Nationalmuseum, Sweden, CC BY-SA.
Trompe l’oeil, Johan Klopper.
Trompe l’oeil. A Cabinet in the Artist’s Studio, Cornelius Norbertus Gijsbrechts.
Nationalmuseum, Sweden, CC BY-SA.
Brevvägg. Trompe-l’oeil, Hindric Sebastian Sommar.
Trompe l’oeil. Bagsiden af et indrammet maleri, Cornelius Norbertus Gijsbrechts (1657-1683).