Great Expectations: 11th Installment cover

Great Expectations: 11th Installment

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By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.





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Chapter XIII

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Chapter XIII

It was a trial to my feelings, on the next day but one, to see Joe arraying himself in his Sunday clothes to accompany me to Miss Havisham's.

However, as he thought his court-suit necessary to the occasion, it was not for me to tell him that he looked far better in his working-dress; the rather, because I knew he made himself so dreadfully uncomfortable, entirely on my account, and that it was for me he pulled up his shirt-collar so very high behind, that it made the hair on the crown of his head stand up like a tuft of feathers.

At breakfast-time my sister declared her intention of going to town with us, and being left at Uncle Pumblechook's and called for "when we had done with our fine ladies"—a way of putting the case, from which Joe appeared inclined to augur the worst.

The forge was shut up for the day, and Joe inscribed in chalk upon the door (as it was his custom to do on the very rare occasions when he was not at work) the monosyllable HOUT, accompanied by a sketch of an arrow supposed to be flying in the direction he had taken.

We walked to town, my sister leading the way in a very large beaver bonnet, and carrying a basket like the Great Seal of England in plaited Straw, a pair of pattens, a spare shawl, and an umbrella, though it was a fine bright day.

I am not quite clear whether these articles were carried penitentially or ostentatiously; but I rather think they were displayed as articles of property,—much as Cleopatra or any other sovereign lady on the Rampage might exhibit her wealth in a pageant or procession.

When we came to Pumblechook's, my sister bounced in and left us.

As it was almost noon, Joe and I held straight on to Miss Havisham's house. Estella opened the gate as usual, and, the moment she appeared, Joe took his hat off and stood weighing it by the brim in both his hands; as if he had some urgent reason in his mind for being particular to half a quarter of an ounce.

Estella took no notice of either of us, but led us the way that I knew so well. I followed next to her, and Joe came last.

When I looked back at Joe in the long passage, he was still weighing his hat with the greatest care, and was coming after us in long strides on the tips of his toes.

Estella told me we were both to go in, so I took Joe by the coat-cuff and conducted him into Miss Havisham's presence. She was seated at her dressing-table, and looked round at us immediately.

"Oh!" said she to Joe. "You are the husband of the sister of this boy?"

Illustration by Frederick William Pailthorpe, 1885

I could hardly have imagined dear old Joe looking so unlike himself or so like some extraordinary bird; standing as he did speechless, with his tuft of feathers ruffled, and his mouth open as if he wanted a worm.

"You are the husband," repeated Miss Havisham, "of the sister of this boy?"

It was very aggravating; but, throughout the interview, Joe persisted in addressing Me instead of Miss Havisham.

"Which I meantersay, Pip," Joe now observed in a manner that was at once expressive of forcible argumentation, strict confidence, and great politeness, "as I hup and married your sister, and I were at the time what you might call (if you was anyways inclined) a single man."

"Well!" said Miss Havisham. "And you have reared the boy, with the intention of taking him for your apprentice; is that so, Mr. Gargery?"

"You know, Pip," replied Joe, "as you and me were ever friends, and it were looked for'ard to betwixt us, as being calc'lated to lead to larks. Not but what, Pip, if you had ever made objections to the business,—such as its being open to black and sut, or such-like,—not but what they would have been attended to, don't you see?"

"Has the boy," said Miss Havisham, "ever made any objection? Does he like the trade?"

"Which it is well beknown to yourself, Pip," returned Joe, strengthening his former mixture of argumentation, confidence, and politeness, "that it were the wish of your own hart."

(I saw the idea suddenly break upon him that he would adapt his epitaph to the occasion, before he went on to say) "And there weren't no objection on your part, and Pip it were the great wish of your hart!"

It was quite in vain for me to endeavor to make him sensible that he ought to speak to Miss Havisham. The more I made faces and gestures to him to do it, the more confidential, argumentative, and polite, he persisted in being to Me.

"Have you brought his indentures with you?" asked Miss Havisham.

Illustration by F. A. Fraser. c. 1877

"Well, Pip, you know," replied Joe, as if that were a little unreasonable, "you yourself see me put 'em in my 'at, and therefore you know as they are here."

With which he took them out, and gave them, not to Miss Havisham, but to me.

I am afraid I was ashamed of the dear good fellow, —I know I was ashamed of him,—when I saw that Estella stood at the back of Miss Havisham's chair, and that her eyes laughed mischievously. I took the indentures out of his hand and gave them to Miss Havisham.

"You expected," said Miss Havisham, as she looked them over, "no premium with the boy?"

"Joe!" I remonstrated, for he made no reply at all. "Why don't you answer—"

Illustration by John McLenan, 1860

"Pip," returned Joe, cutting me short as if he were hurt, "which I meantersay that were not a question requiring a answer betwixt yourself and me, and which you know the answer to be full well No. You know it to be No, Pip, and wherefore should I say it?"

Miss Havisham glanced at him as if she understood what he really was better than I had thought possible, seeing what he was there; and took up a little bag from the table beside her.

"Pip has earned a premium here," she said, "and here it is. There are five-and-twenty guineas in this bag. Give it to your master, Pip."

As if he were absolutely out of his mind with the wonder awakened in him by her strange figure and the strange room, Joe, even at this pass, persisted in addressing me.

"This is wery liberal on your part, Pip," said Joe, "and it is as such received and grateful welcome, though never looked for, far nor near, nor nowheres.

And now, old chap," said Joe, conveying to me a sensation, first of burning and then of freezing, for I felt as if that familiar expression were applied to Miss Havisham,—"and now, old chap, may we do our duty! May you and me do our duty, both on us, by one and another, and by them which your liberal present—have-conweyed—to be—for the satisfaction of mind-of—them as never—"

here Joe showed that he felt he had fallen into frightful difficulties, until he triumphantly rescued himself with the words, "and from myself far be it!" These words had such a round and convincing sound for him that he said them twice.

"Good-bye, Pip!" said Miss Havisham. "Let them out, Estella."

"Am I to come again, Miss Havisham?" I asked.

"No. Gargery is your master now. Gargery! One word!"

Thus calling him back as I went out of the door, I heard her say to Joe in a distinct emphatic voice, "The boy has been a good boy here, and that is his reward. Of course, as an honest man, you will expect no other and no more."

How Joe got out of the room, I have never been able to determine; but I know that when he did get out he was steadily proceeding upstairs instead of coming down, and was deaf to all remonstrances until I went after him and laid hold of him.

In another minute we were outside the gate, and it was locked, and Estella was gone.

When we stood in the daylight alone again, Joe backed up against a wall, and said to me, "Astonishing!" And there he remained so long saying, "Astonishing" at intervals, so often, that I began to think his senses were never coming back.

At length he prolonged his remark into "Pip, I do assure you this is as-TON-ishing!" and so, by degrees, became conversational and able to walk away.

I have reason to think that Joe's intellects were brightened by the encounter they had passed through, and that on our way to Pumblechook's he invented a subtle and deep design.

My reason is to be found in what took place in Mr. Pumblechook's parlor: where, on our presenting ourselves, my sister sat in conference with that detested seedsman.

"Well?" cried my sister, addressing us both at once. "And what's happened to you? I wonder you condescend to come back to such poor society as this, I am sure I do!"

"Miss Havisham," said Joe, with a fixed look at me, like an effort of remembrance, "made it wery partick'ler that we should give her—were it compliments or respects, Pip?"

"Compliments," I said.

"Which that were my own belief," answered Joe; "her compliments to Mrs. J. Gargery—"

Author Unknown, c. 1900

"Much good they'll do me!" observed my sister; but rather gratified too.

"And wishing," pursued Joe, with another fixed look at me, like another effort of remembrance, "that the state of Miss Havisham's elth were sitch as would have—allowed, were it, Pip?"

"Of her having the pleasure," I added.

"Of ladies' company," said Joe. And drew a long breath.

"Well!" cried my sister, with a mollified glance at Mr. Pumblechook. "She might have had the politeness to send that message at first, but it's better late than never. And what did she give young Rantipole here?"

"She giv' him," said Joe, "nothing."

Mrs. Joe was going to break out, but Joe went on.

"What she giv'," said Joe, "she giv' to his friends. 'And by his friends,' were her explanation, 'I mean into the hands of his sister Mrs. J. Gargery.' Them were her words; 'Mrs. J. Gargery.' She mayn't have know'd," added Joe, with an appearance of reflection, "whether it were Joe, or Jorge."

My sister looked at Pumblechook: who smoothed the elbows of his wooden arm-chair, and nodded at her and at the fire, as if he had known all about it beforehand.

"And how much have you got?" asked my sister, laughing. Positively laughing!

"What would present company say to ten pound?" demanded Joe.

"They'd say," returned my sister, curtly, "pretty well. Not too much, but pretty well."

"It's more than that, then," said Joe.

That fearful Impostor, Pumblechook, immediately nodded, and said, as he rubbed the arms of his chair, "It's more than that, Mum."

"Why, you don't mean to say—" began my sister.

"Yes I do, Mum," said Pumblechook; "but wait a bit. Go on, Joseph. Good in you! Go on!"

"What would present company say," proceeded Joe, "to twenty pound?"

"Handsome would be the word," returned my sister.

"Well, then," said Joe, "It's more than twenty pound."

That abject hypocrite, Pumblechook, nodded again, and said, with a patronizing laugh, "It's more than that, Mum. Good again! Follow her up, Joseph!"

"Then to make an end of it," said Joe, delightedly handing the bag to my sister; "it's five-and-twenty pound."

"It's five-and-twenty pound, Mum," echoed that basest of swindlers, Pumblechook, rising to shake hands with her; "and it's no more than your merits (as I said when my opinion was asked), and I wish you joy of the money!"

If the villain had stopped here, his case would have been sufficiently awful, but he blackened his guilt by proceeding to take me into custody, with a right of patronage that left all his former criminality far behind.

"Now you see, Joseph and wife," said Pumblechook, as he took me by the arm above the elbow, "I am one of them that always go right through with what they've begun. This boy must be bound, out of hand. That's my way. Bound out of hand."

"Goodness knows, Uncle Pumblechook," said my sister (grasping the money), "we're deeply beholden to you."

"Never mind me, Mum," returned that diabolical cornchandler. "A pleasure's a pleasure all the world over. But this boy, you know; we must have him bound. I said I'd see to it—to tell you the truth."

Author Unknown

The Justices were sitting in the Town Hall near at hand, and we at once went over to have me bound apprentice to Joe in the Magisterial presence.

I say we went over, but I was pushed over by Pumblechook, exactly as if I had that moment picked a pocket or fired a rick; indeed, it was the general impression in Court that I had been taken red-handed; for, as Pumblechook shoved me before him through the crowd, I heard some people say, "What's he done?" and others, "He's a young 'un, too, but looks bad, don't he?"

One person of mild and benevolent aspect even gave me a tract ornamented with a woodcut of a malevolent young man fitted up with a perfect sausage-shop of fetters, and entitled TO BE READ IN MY CELL.

The Hall was a queer place, I thought, with higher pews in it than a church,—and with people hanging over the pews looking on,—and with mighty Justices (one with a powdered head) leaning back in chairs, with folded arms, or taking snuff, or going to sleep, or writing, or reading the newspapers,—and with some shining black portraits on the walls, which my unartistic eye regarded as a composition of hardbake and sticking-plaster.

Here, in a corner my indentures were duly signed and attested, and I was "bound"; Mr. Pumblechook holding me all the while as if we had looked in on our way to the scaffold, to have those little preliminaries disposed of.

When we had come out again, and had got rid of the boys who had been put into great spirits by the expectation of seeing me publicly tortured, and who were much disappointed to find that my friends were merely rallying round me, we went back to Pumblechook's.

And there my sister became so excited by the twenty-five guineas, that nothing would serve her but we must have a dinner out of that windfall at the Blue Boar, and that Pumblechook must go over in his chaise-cart, and bring the Hubbles and Mr. Wopsle.

It was agreed to be done; and a most melancholy day I passed.

For, it inscrutably appeared to stand to reason, in the minds of the whole company, that I was an excrescence on the entertainment. And to make it worse, they all asked me from time to time,—in short, whenever they had nothing else to do,—why I didn't enjoy myself? And what could I possibly do then, but say I was enjoying myself,—when I wasn't!

However, they were grown up and had their own way, and they made the most of it.

That swindling Pumblechook, exalted into the beneficent contriver of the whole occasion, actually took the top of the table;

and, when he addressed them on the subject of my being bound, and had fiendishly congratulated them on my being liable to imprisonment if I played at cards, drank strong liquors, kept late hours or bad company, or indulged in other vagaries which the form of my indentures appeared to contemplate as next to inevitable, he placed me standing on a chair beside him to illustrate his remarks.

My only other remembrances of the great festival are, That they wouldn't let me go to sleep, but whenever they saw me dropping off, woke me up and told me to enjoy myself.

Illustration by Sol Eytinge 1867

That, rather late in the evening Mr. Wopsle gave us Collins's ode, and threw his bloodstained sword in thunder down, with such effect, that a waiter came in and said, "The Commercials underneath sent up their compliments, and it wasn't the Tumblers' Arms."

That, they were all in excellent spirits on the road home, and sang, O Lady Fair!

Mr. Wopsle taking the bass, and asserting with a tremendously strong voice (in reply to the inquisitive bore who leads that piece of music in a most impertinent manner, by wanting to know all about everybody's private affairs) that he was the man with his white locks flowing, and that he was upon the whole the weakest pilgrim going.

Finally, I remember that when I got into my little bedroom, I was truly wretched, and had a strong conviction on me that I should never like Joe's trade. I had liked it once, but once was not now.

Chapter XIV

It is a most miserable thing to feel ashamed of home.

There may be black ingratitude in the thing, and the punishment may be retributive and well deserved; but that it is a miserable thing, I can testify.

Home had never been a very pleasant place to me, because of my sister's temper. But, Joe had sanctified it, and I had believed in it.

I had believed in the best parlor as a most elegant saloon; I had believed in the front door, as a mysterious portal of the Temple of State whose solemn opening was attended with a sacrifice of roast fowls; I had believed in the kitchen as a chaste though not magnificent apartment; I had believed in the forge as the glowing road to manhood and independence.

Within a single year all this was changed.

Now it was all coarse and common, and I would not have had Miss Havisham and Estella see it on any account.

How much of my ungracious condition of mind may have been my own fault, how much Miss Havisham's, how much my sister's, is now of no moment to me or to any one. The change was made in me; the thing was done. Well or ill done, excusably or inexcusably, it was done.

Once, it had seemed to me that when I should at last roll up my shirt-sleeves and go into the forge, Joe's 'prentice, I should be distinguished and happy.

Now the reality was in my hold, I only felt that I was dusty with the dust of small-coal, and that I had a weight upon my daily remembrance to which the anvil was a feather.

There have been occasions in my later life (I suppose as in most lives) when I have felt for a time as if a thick curtain had fallen on all its interest and romance, to shut me out from anything save dull endurance any more.

Never has that curtain dropped so heavy and blank, as when my way in life lay stretched out straight before me through the newly entered road of apprenticeship to Joe.

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I remember that at a later period of my "time," I used to stand about the churchyard on Sunday evenings when night was falling, comparing my own perspective with the windy marsh view, and making out some likeness between them by thinking how flat and low both were, and how on both there came an unknown way and a dark mist and then the sea.

I was quite as dejected on the first working-day of my apprenticeship as in that after-time; but I am glad to know that I never breathed a murmur to Joe while my indentures lasted.

It is about the only thing I am glad to know of myself in that connection.

For, though it includes what I proceed to add, all the merit of what I proceed to add was Joe's. It was not because I was faithful, but because Joe was faithful, that I never ran away and went for a soldier or a sailor. It was not because I had a strong sense of the virtue of industry, but because Joe had a strong sense of the virtue of industry, that I worked with tolerable zeal against the grain.

It is not possible to know how far the influence of any amiable honest-hearted duty-doing man flies out into the world; but it is very possible to know how it has touched one's self in going by, and I know right well that any good that intermixed itself with my apprenticeship came of plain contented Joe, and not of restlessly aspiring discontented me.

What I wanted, who can say? How can I say, when I never knew? What I dreaded was, that in some unlucky hour I, being at my grimiest and commonest, should lift up my eyes and see Estella looking in at one of the wooden windows of the forge.

I was haunted by the fear that she would, sooner or later, find me out, with a black face and hands, doing the coarsest part of my work, and would exult over me and despise me.

Often after dark, when I was pulling the bellows for Joe, and we were singing Old Clem, and when the thought how we used to sing it at Miss Havisham's would seem to show me Estella's face in the fire, with her pretty hair fluttering in the wind and her eyes scorning me,

—often at such a time I would look towards those panels of black night in the wall which the wooden windows then were, and would fancy that I saw her just drawing her face away, and would believe that she had come at last.

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After that, when we went in to supper, the place and the meal would have a more homely look than ever, and I would feel more ashamed of home than ever, in my own ungracious breast.