15 Food Photography Tips from Andrew Scrivani cover

15 Food Photography Tips from Andrew Scrivani

By ,


New York Times photographer Andrew Scrivani came to Seattle to lead two four-hour long workshops. The events were organized and hosted by Seattle Bon Vivant herself, Myra Kohn. Going in with only a camera, some basic light manipulation tools, and a fuzzy understanding of what makes food pictures evocative, I left the workshop confident and ready to take better photographs. Scrivani is one of those people with a passion for what they do that is palpable. It's inspiring. It's genuine.
Here are just 15 of the valuable tips he taught me:





NoteStream NoteStream

NoteStreams are readable online but they’re even better in the free App!

The NoteStream™ app is for learning about things that interest you: from music to history, to classic literature or cocktails. NoteStreams are truly easy to read on your smartphone—so you can learn more about the world around you and start a fresh conversation.

For a list of all authors on NoteStream, click here.




Read the NoteStream below, or download the app and read it on the go!

Save to App


Andrew Scrivani

Andrew Scrivani

“Never feel like education is over. You'll constantly evolve and grow as a photographer. You can always learn, always improve and develop your own style.”

- Andrew Scrivani

15 Tips

New York Times photographer Andrew Scrivani came to Seattle to lead two four-hour long workshops.

The events were organized and hosted by Seattle Bon Vivant herself, Myra Kohn. Going in with only a camera, some basic light manipulation tools, and a fuzzy understanding of what makes food pictures evocative, I left the workshop confident and ready to take better photographs. Scrivani is one of those people with a passion for what they do that is palpable. It's inspiring. It's genuine.

Here are just 15 of the valuable tips he taught me:

Interest and Beauty

Interest and Beauty

1. Look for something interesting and beautiful in each food you photograph.

Find interesting shapes in negative space. Find the imperfections- the nooks, the crannies, the cracks- in a food, and let those characteristics shine. Highlight shapes.

Lighting

Lighting

2. Use black cards to take the light away. It's not always about adding light, it's sometimes about taking light away. Shadows add depth and character.

3. Find the light source. Explore back-lighting. Add luminescence with thin slices of lemon, crystals of salt. Angle your camera shot by the way light hits the food.

Tell A Story

Tell A Story

4. Tell a story with your scene. If you're photographing a glass of wine at a restaurant, stand it next to the bottle, cork in front, with a waiter in the background.

No Flash

No Flash

5. Never use flash. It can overexpose your photo and make the colors too harsh.

6. Shoot in raw image format. You have more control over how you can edit the photo. Especially in color temperature.

7. Filter direct sunlight using a thin white sheet to avoid harsh exposure.

Food or Graphic

Food or Graphic

8. Decide whether something is a food image or a graphic image. Not every photograph has to be literal- explore photographing your process in a more suggestive, creative way.

9. Sketch the picture you want to make before you shoot. It's the same way filmmakers create story boards before filming a scene.

Monochromatic

Monochromatic

10. Monochromatic foods can be difficult to photograph. Create contrast and emphasize shapes using contrasting colors. Make food stand out by pairing it with matte black or white.

11. Find inspiration in everything. How you respond to art at a museum will influence how you approach your own photography.

12. Depth of field isn't just about aperture. It's also about creating spaces that will lead the eye down the image. Using props can create the depth without changing your camera aperture.

Meaning

Meaning

13. What is the image about? Is it about lightness? Springtime? Think about how you can draw the viewer through the image from the front to the back. Achieve this with propping.

14. Propping gives the viewer a sense that this food has life. It isn't just a still life; it's set out on a table, waiting to be eaten.

15. With food photography, everyday is different. Some days you'll get your shot in 8 minutes, some days you won't get it for 2 hours. Embrace that.

About Andrew Scrivani:

Andrew Scrivani is a New York based freelance photographer, food stylist, writer and blogger.

He has been photographing for the New York Times Dining Section since 2002 as well as the Recipes for Health column by Martha Rose Shulman on The New York Times on the Web Fitness and Nutrition section since 2009. You can read his columns on Food & Photography at The New York Times. Diner's Journal and his own personal blog, Making Sunday Sauce.

Foodista

(CC BY 3.0)