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NoteStreams By NoteStream Book Club

Bet On It: An Inside Look At The Mysterious Affair At Styles

If you have yet to read The Mysterious Affair at Styles you might like to have a literary wager with yourself before you start.
NoteStream Book Club Director David Gardner shares a bit of background behind Agatha Christie's first published novel!

Category: Book Club

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Dickens: 2nd Thoughts & Great Expectations

Most of us wish we had the benefit of a do-over at some point in our lives. Perhaps something we regretted saying, or an act left undone. Second thoughts can be tantalizing, and even our greatest novelists were not immune from doubt.
In fact, the version most Dickens fans are familiar with in modern-day versions of Great Expectations isn’t the original.
Warning: This NoteStream includes spoilers!

Category: Book Club

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Great Expectations: Final Installment

Dickens was persuaded to change his original ending to offer Pip a more hopeful future, but literary critics and readers are split over the decision. In this final Installment of NoteStream’s new 21st Century serialization, Book Club members will be able to savor both options. Please join us in Dickens, 2nd Chances & Great Expectations by Book Club Director David Gardner to find out more and be sure to vote for which ending you prefer. Enjoy!
Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Great Expectations: 53rd Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Great Expectations: 52nd Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Great Expectations: 51st Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Great Expectations: 50th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Great Expectations: 49th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Great Expectations: 48th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Great Expectations: 47th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Great Expectations: 46th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Emma: 55th Installment (Final)

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 54th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 53rd Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 52nd Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 51st Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 50th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

A Christmas Carol: Day 1

The opening scene to Charles Dickens’ timeless classic “A Christmas Carol” assures us that Scrooge’s late partner Marley is most certainly dead.
Who would dare to say “Bah! Humbug” after reading A Christmas Carol? Charles Dickens wrote the novella in just six weeks before it was first published on December 19 1843 but his morality tale about a bitter old miser named Ebenezer Scrooge lives on to this day as a reminder of the importance of the Christmas spirit.
Haunting visits by Scrooge’s business partner Jacob Marley and the Ghosts of Christmas Past, Present and Yet to Come have sent shivers down the spines of countless generations of children and adults alike but the ultimate redemption of the “squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner” keeps us coming back for more.
Beginning on a “cold, bleak, biting” Christmas Eve and divided into five “staves” or verses, “this Ghostly little book,” as Dickens called it, was intended to “pleasantly” haunt the houses of his readers. Scrooge is chastened enough by the disturbing events of the night –and a bleak glimpse into a “wretched” lonely future - to awake on Christmas Day a changed man and hurry over with a prize turkey to make amends with his overworked, underpaid clerk Bob Cratchit and his poor but happy family. The tale ends with the narrator repeating the words of the indomitable Cratchit’s sick son Tiny Tim: “God bless us, everyone.” Yes, indeed.

Category: A Christmas Carol

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Emma: 49th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

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Emma: 48th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 47th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 46th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

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So....About This New Charge...

If you've downloaded the latest release of NoteStream, you probably noticed that we're setting up an annual membership for our Book Club. The why behind it has to do with something that we don't do.

Category: Book Club

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Emma: 45th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 44th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 43rd Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Great Expectations: 45th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Emma: 42nd Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 41st Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 40th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 39th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Great Expectations: 44th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Emma: 38th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 37th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Quentin Chat’s Literary Burden

Recently, NoteStream introduced "Chat Rooms" inside the App. Each classic novel we present now offers a dedicated space for readers to connect with each other and talk about the everything they love about these books. Think of them as a sort of virtual Book Club get-together - on your schedule!
David Gardner, legendary journalist and Executive Head of all things bookish for NoteStream recently looked into the history of chat rooms and offers up some startling revelations!
But don't worry: we're keeping a close eye on the Chat rooms...and the cooking sherry from now on;-)

Category: Book Club

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Emma: 36th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 35th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 34th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein: Part 30 - Conclusion

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Great Expectations: 43rd Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Frankenstein: Part 29

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 33rd Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 32nd Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

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Frankenstein: Part 28

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

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Emma: 31st Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein: Part 27

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Frankenstein: Part 26

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 30th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

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Frankenstein: Part 25

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 29th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein: Part 24

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Frankenstein: Part 23

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 28th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 27th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Great Expectations: 42nd Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

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Frankenstein: Part 22

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

The iCandidate: Final Installment

To begin with Installment 1, please click here.
The iCandidate is a guilty pleasure - a unique interactive thriller about a political reality show to choose a potential President of the United States - in which the reader has a key say in how the plot unfolds.
In The iCandidate, eight finalists from all walks of life face the kind of challenges they might have to deal with in the Oval Office:
• Will they use the nuclear button?
• What will they do about ISIS?
• How will they cope in a crisis?
At the end of each round the reader gets to cast an iVote to help determine who stays and who goes home. It is democracy in its purest form, free from party loyalties, donor obligations and antiquated electoral practices - and it keeps the authors on their toes!
In the novel, serialized weekly only on NoteStream, the eventual people’s champion goes on to challenge the political establishment in an iCampaign for the presidency climaxing in an explosive finale in Washington on November 8.
But The iCandidate has even greater aspirations to trigger a revolution in the way America selects the most powerful man or woman on the planet, and really, would it be any crazier than what we've got now?
Change America one iVote at a time - and cheer on your iCandidate! Be sure to cast your in-app iVotes to save your favorite iCandidates!

Category: iCandidate

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Emma: 26th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein: Part 21

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 25th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein: Part 20

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Frankenstein: Part 19

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 24th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein: Part 18

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 23rd Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein: Part 17

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 22nd Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

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Frankenstein: Part 16

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 21st Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein: Part 15

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Great Expectations: 41st Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Frankenstein: Part 14

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 20th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

The iCandidate: 36th Installment

To begin with Installment 1, please click here.
The iCandidate is a guilty pleasure - a unique interactive thriller about a political reality show to choose a potential President of the United States - in which the reader has a key say in how the plot unfolds.
In The iCandidate, eight finalists from all walks of life face the kind of challenges they might have to deal with in the Oval Office:
• Will they use the nuclear button?
• What will they do about ISIS?
• How will they cope in a crisis?
At the end of each round the reader gets to cast an iVote to help determine who stays and who goes home. It is democracy in its purest form, free from party loyalties, donor obligations and antiquated electoral practices - and it keeps the authors on their toes!
In the novel, serialized weekly only on NoteStream, the eventual people’s champion goes on to challenge the political establishment in an iCampaign for the presidency climaxing in an explosive finale in Washington on November 8.
But The iCandidate has even greater aspirations to trigger a revolution in the way America selects the most powerful man or woman on the planet, and really, would it be any crazier than what we've got now?
Change America one iVote at a time - and cheer on your iCandidate! Be sure to cast your in-app iVotes to save your favorite iCandidates!

Category: iCandidate

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Emma: 19th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein: Part 13

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Frankenstein: Part 12

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 18th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein - Part 11

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 17th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein - Part 10

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 16th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein - Part 9

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 15th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Great Expectations: 40th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Frankenstein - Part 8

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 14th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein - Part 7

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 13th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

The iCandidate: 35th Installment

To begin with Installment 1, please click here.
The iCandidate is a guilty pleasure - a unique interactive thriller about a political reality show to choose a potential President of the United States - in which the reader has a key say in how the plot unfolds.
In The iCandidate, eight finalists from all walks of life face the kind of challenges they might have to deal with in the Oval Office:
• Will they use the nuclear button?
• What will they do about ISIS?
• How will they cope in a crisis?
At the end of each round the reader gets to cast an iVote to help determine who stays and who goes home. It is democracy in its purest form, free from party loyalties, donor obligations and antiquated electoral practices - and it keeps the authors on their toes!
In the novel, serialized weekly only on NoteStream, the eventual people’s champion goes on to challenge the political establishment in an iCampaign for the presidency climaxing in an explosive finale in Washington on November 8.
But The iCandidate has even greater aspirations to trigger a revolution in the way America selects the most powerful man or woman on the planet, and really, would it be any crazier than what we've got now?
Change America one iVote at a time - and cheer on your iCandidate! Be sure to cast your in-app iVotes to save your favorite iCandidates!

Category: iCandidate

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Emma: 12th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

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Frankenstein - Part 6

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Frankenstein - Part 5

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 11th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein - Part 4

To begin with Mary Shelley's introduction to the 1831 Edition, please click here
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 10th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 9th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein – Part 3

To begin with Mary Shelley's introduction to the 1831 Edition, please click here.
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Great Expectations: 39th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Emma: 8th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Frankenstein - Part 2

To begin with Mary Shelley's introduction to the 1831 Edition, please click here
To begin with Part 1, please click here.
It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Frankenstein - Part 1

It’s perhaps hard to believe that Mary Shelley was just 18 when she started writing her iconic gothic horror story and she was 20 when it was published in 1818.
She tells the story of Victor Frankenstein, a young scientist obsessed with creating a grotesque Creature in an experiment that goes horribly wrong.
Told in epistolary form, the novel documents a fictional correspondence between polar explorer Captain Robert Walton and his sister, Margaret.
Walton finds Victor Frankenstein frozen and close to death on the ice and discovers he has been following a monstrous figure the ship’s crew has spotted.
As Frankenstein recovers, he explains how his life’s work developing a secret technique to impart life to non-living matter had resulted in him creating a monster.
Repulsed by the Creature, the scientist flees to find a friend, only to return and find the monster has gone.
Unleashed, it causes murder and mayhem tempered by the feelings of regret and confusion exacerbated when Frankenstein changes his mind about creating a monstrous mate for his creation.
In serialized installments, each one more frightening than the last, NoteStream is serializing the ultimate horror story.
For all the time and money invested in making Halloween the the scariest time of the year, it really doesn’t come more frightening than this.

Category: Frankenstein

View NoteStreamSave to App

Emma: 7th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

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Introduction to Frankenstein, 1831 Edition

Mary Wollstonecraft Shelley's masterpiece Frankenstein: or, The Modern Prometheus was originally published anonymously in 1818, when she was only nineteen years old. It was not until the publication of the second edition in August of 1823 that she was identified as the author.
This introduction was included in the 1831 publication of Frankenstein, and explains, in her own words, how she came to write of "so very hideous an idea..."

Category: Frankenstein

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Why Frankenstein is Still Relevant

When Victor Frankenstein sets about creating a living creature his intention is to benefit mankind, not to make a monster.
If only he can breath life into a project nobody believes possible, the possibilities, he reasons, are endless.
Frankenstein is obsessed with his creation. He gives little thought to controlling it.

Category: Frankenstein

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Emma: 6th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

The iCandidate: 34th Installment

To begin with Installment 1, please click here.
The iCandidate is a guilty pleasure - a unique interactive thriller about a political reality show to choose a potential President of the United States - in which the reader has a key say in how the plot unfolds.
In The iCandidate, eight finalists from all walks of life face the kind of challenges they might have to deal with in the Oval Office:
• Will they use the nuclear button?
• What will they do about ISIS?
• How will they cope in a crisis?
At the end of each round the reader gets to cast an iVote to help determine who stays and who goes home. It is democracy in its purest form, free from party loyalties, donor obligations and antiquated electoral practices - and it keeps the authors on their toes!
In the novel, serialized weekly only on NoteStream, the eventual people’s champion goes on to challenge the political establishment in an iCampaign for the presidency climaxing in an explosive finale in Washington on November 8.
But The iCandidate has even greater aspirations to trigger a revolution in the way America selects the most powerful man or woman on the planet, and really, would it be any crazier than what we've got now?
Change America one iVote at a time - and cheer on your iCandidate! Be sure to cast your in-app iVotes to save your favorite iCandidates!

Category: iCandidate

View NoteStreamSave to App

Emma: 5th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 4th Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 3rd Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Emma: 2nd Installment

To begin with the 1st Installment, please click here
Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

Great Expectations: 38th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

The iCandidate: 33rd Installment

To begin with Installment 1, please click here.
The iCandidate is a guilty pleasure - a unique interactive thriller about a political reality show to choose a potential President of the United States - in which the reader has a key say in how the plot unfolds.
In The iCandidate, eight finalists from all walks of life face the kind of challenges they might have to deal with in the Oval Office:
• Will they use the nuclear button?
• What will they do about ISIS?
• How will they cope in a crisis?
At the end of each round the reader gets to cast an iVote to help determine who stays and who goes home. It is democracy in its purest form, free from party loyalties, donor obligations and antiquated electoral practices - and it keeps the authors on their toes!
In the novel, serialized weekly only on NoteStream, the eventual people’s champion goes on to challenge the political establishment in an iCampaign for the presidency climaxing in an explosive finale in Washington on November 8.
But The iCandidate has even greater aspirations to trigger a revolution in the way America selects the most powerful man or woman on the planet, and really, would it be any crazier than what we've got now?
Change America one iVote at a time - and cheer on your iCandidate! Be sure to cast your in-app iVotes to save your favorite iCandidates!

Category: iCandidate

View NoteStreamSave to App

Emma: 1st Installment

Emma was sassy before there was such a word.
More meddling than Elizabeth Bennet and certainly more precocious, Emma Woodhouse was 200 years ahead of her time as a strong female literary protagonist.
She may have been wrong about her own romantic future, but she was headstrong in her beliefs about those around her, whether or not she turned out to be right, and therein lies her charm.
Emma’s a contradiction. She’s mature and naive, compassionate and ‘slightly’ spoiled, perceptive and blind to the consequences of her orchestrations.
Austen cast her heroine as someone ‘whom no one but myself will much like,’ but in this, at least, the author got it wrong despite her best efforts, opening the novel by describing the title character as 'handsome, clever, and rich,’ hardly the most endearing of characteristics.
Yet we have grown to love Emma in spite of her creator, perhaps even more so down the years as many readers are able to see themselves in her.
To many Austen lovers, Pride and Prejudice is her masterpiece; to some it is Sense and Sensibility or Mansfield Park.
But to the true connoisseur, it always has to be Emma.

Category: Emma

View NoteStreamSave to App

A New View on Jane Austen's Emma

It’s a question well worthy of the best pub quiz - what’s the connection between Jane Austen’s Emma and Game of Thrones?
What the mistress of subtlety and the master of mayhem share, is the fundamental style they used to write their masterpieces!

Category: Book Club

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Great Expectations: 37th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Great Expectations: 36th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Great Expectations: 35th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

The Man Who Would Be King: Final Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality take, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

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The Man Who Would Be King: 12th Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality take, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

View NoteStreamSave to App

Great Expectations: 34th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

The Man Who Would Be King: 11th Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality take, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

View NoteStreamSave to App

The Man Who Would Be King: 10th Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality take, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

View NoteStreamSave to App

The Man Who Would Be King: 9th Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality take, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

View NoteStreamSave to App

Great Expectations: 33rd Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

The Man Who Would Be King: 8th Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality take, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

View NoteStreamSave to App

The Man Who Would Be King: 7th Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality take, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

View NoteStreamSave to App

The Man Who Would Be King: 6th Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality take, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

View NoteStreamSave to App

The Man Who Would Be King: 5th Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality tale, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

View NoteStreamSave to App

The Man Who Would Be King: 4th Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality take, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

View NoteStreamSave to App

The Man Who Would Be King: 3rd Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality tale, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

View NoteStreamSave to App

Great Expectations: 32nd Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

The Man Who Would Be King: 2nd Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Find the first installment here.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality tale, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

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Mandalay

"Mandalay" by Rudyard Kipling was first published in the collection Barrack-Room Ballads, and Other Verses, (the first series), in 1892. The poem expresses the longing of a British Empire soldier for the exotic world of Burma, as compared to the cold and drizzle of life in England.
He was 24 years old when Mandalay was written in March or April 1890 upon his leisurely return journey home to England via steamship from India. Burma, and in particular, her beautiful girls made a strong impression on Kipling. He wrote:
I love the Burman with the blind favouritism born of first impression. When I die I will be a Burman … and I will always walk about with a pretty almond-coloured girl who shall laugh and jest too, as a young maiden ought. She shall not pull a sari over her head when a man looks at her and glare suggestively from behind it, nor shall she tramp behind me when I walk: for these are the customs of India. She shall look all the world between the eyes, in honesty and good fellowship, and I will teach her not to defile her pretty mouth with chopped tobacco in a cabbage leaf, but to inhale good cigarettes of Egypt's best brand.
He claims he was so struck by a Burmese beauty on the steps of the Moulmein pagoda that he paid no attention to the structure itself.
The poem still resonates today, and excerpts from Mandalay have been frequently quoted in popular culture, including in the famous "Courage" speech by the Cowardly Lion in The Wizard of Oz: "What makes the dawn come up like THUNDER?! – Courage."

Category: Book Club

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Déjà vu: The Man Who Would Be King

For The Man Who Would Be King, the journey from scheming adventurer to worshipped ruler wasn’t so far.
He came with the wealth of an empire in his blood fueling an arrogance that he could deceive and subjugate an entire nation.
With him he brought the promise of power and riches beyond imagination, and a godlike hand to wave away the troubles of his swooning supporters.
It mattered not that he was winging it, making it up as he went along.
Sounds familiar, doesn't it?
Here we introduce another Classic presented NoteStream style!

Category: Man Who Would Be King

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The Man Who Would Be King: 1st Installment

This is a serialized presentation of The Man Who Would Be King, with period images, released in daily installments.
Rudyard Kipling’s story of two chancers who targeted long ago Kafiristan in the mountains of Afghanistan to make themselves kings was seen as a morality tale to illustrate the perils of the British Raj.
Daniel Dravot and Peachey Carnehan didn’t concern themselves with their mission much beyond taking power; as it turns out, the twenty Martini-Henry rifles (then the best firepower in the world) proved ample to show they meant business.
Whatever came next would take care of itself, or so they thought.
But in life, as in politics, timing is everything. The ruffians talk their way to the top, persuading the locals that they are not mere kings, but gods, as well. They build an army and dream of nation building.
All seems to be going so well.
But this is a morality tale, after all, and Kipling has a point to prove.

Category: Man Who Would Be King

View NoteStreamSave to App

Great Expectations: 31st Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

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Great Expectations: 30th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 30th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 29th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 29th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 28th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 28th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 27th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 27th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

View NoteStreamSave to App

Great Expectations: 26th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 26th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

View NoteStreamSave to App

Great Expectations: 25th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 25th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

View NoteStreamSave to App

Great Expectations: 24th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride And Prejudice: 24th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 23rd Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

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Pride And Prejudice: 23rd Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 22nd Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride And Prejudice: 22nd Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 21st Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride And Prejudice: 21st Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 20th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride And Prejudice: 20th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 19th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride And Prejudice: 19th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

View NoteStreamSave to App

Great Expectations: 18th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride And Prejudice: 18th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Pride And Prejudice

View NoteStreamSave to App

Great Expectations: 17th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride And Prejudice: 17th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 16th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

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Pride And Prejudice: 16th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 15th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride And Prejudice: 15th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 14th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 14th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 13th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

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Explaining The Unexplainable

When my partner, Michelle, and I took the conscious decision to serialize our novel The iCandidate on an app rather than go the more conventional publishing route it was on the absolute understanding that we would let the story go the direction our readers wanted.
We knew it would probably play havoc with the story we had mapped out in our heads. We also felt pretty sure it could lead us in directions we hadn’t foreseen.
What we never considered was that it would result in us getting more than a quarter of the way through the book - and then going back to the beginning and starting over.

Category: iCandidate

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Pride and Prejudice: 13th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

View NoteStreamSave to App

Great Expectations: 12th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 12th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

View NoteStreamSave to App

Great Expectations: 11th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 11th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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The “Real” Story Behind The iCandidate

Readers of The iCandidate are able to vote after every challenge the novel’s fictional contestants undertake in a new interactive experience in literature. The readers themselves determine the winners and losers, and also the direction of the plot! Learn more from the authors themselves.

Category: iCandidate

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Great Expectations: 10th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 10th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Q & A With The iCandidates!

It’s nearly time for our first iVote in The iCandidate and the timing couldn’t be more perfect - Super Tuesday!
It doesn’t matter whether you’re a Democrat or a Republican, this is America’s opportunity to vote for a true independent.
If you have been reading The iCandidate serialized exclusively in the NoteStream Book Club you will already be getting a feel for which contestants you favor, but it’s still early days and their first challenge is coming up.
It’s tough to think that one of the iCandidates will go out of the contest as a result of this ground-breaking interactive iVote.
So we asked each of our eight finalists a set of revealing questions to help you, the iVoter, decide who should go through to the next round.
Check out the answers and then head over to the latest installment of The iCandidate. When you get to the iVote button please be sure to make your voice heard.
The direction the story takes will depend on it.

Category: iCandidate

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Great Expectations: 9th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

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Pride and Prejudice: 9th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 8th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

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The iCandidate and Super Tuesday

Could a Vote for a Fictional President in a Novel About a Political Reality Show Really Shake Up Washington?
Members of the NoteStream Book Club will have the opportunity to take part in a vote on Super Tuesday - March 1 - that could have lasting repercussions for the White House.
If you are a registered Republican or Democrat in the 11 states (12 for the GOP) involved in the nomination contests that day, the vote will, of course, help determine the two people who will go head to head for the presidency on November 8.
But that’s not the vote I’m talking about. That vote has already become something of a farce.

Category: Book Club

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Pride and Prejudice: 8th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 7th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

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The NoteStream Book Club - Welcome!

ONE winter holiday week too long ago I cut out a newspaper article titled ‘100 Novels You Must Read Before You Die.’
Young and hungry to learn, I quickly realized my formal education had only touched on this long list of books. I was in my early 20s at the time and I set about ticking off these great works with a single-minded determination I’d previously only shown trying to get dates for the Saturday night discos.
I raced through the usual suspects - Catch 22, Cider With Rosie, All Quiet on the Western Front, Lolita, The Grapes of Wrath (3 times - I love this book!), The Prime of Miss Jean Brodie, 1984, Brave New World, etc., etc.
But I have a confession about a shameful secret I have kept even from my nearest and dearest all these years - I skipped a few along the way. And I have continued to shun them all these years…until now.
Rather than simply confess my lie I’ve decided to make it moot. I’m going to read the darned books and I believe we have come up with a method that may help others of you out there hiding a similar guilt over your failure to read essential classics even as you try and give an outward impression of being well read.
The idea is that for the next year, we will read one chapter a week of Great Expectations, or Pride and Prejudice, or...
Together.

Category: Book Club

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Pride and Prejudice: 7th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 6th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 6th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

View NoteStreamSave to App

Great Expectations: 5th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 5th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

View NoteStreamSave to App

Great Expectations: 4th Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 4th Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

View NoteStreamSave to App

Great Expectations: 3rd Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

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Welcome New Member - Our First Giveaway!

IT occurred to me as I sat down to write this introduction to our inaugural Book Club members that the title represented something of a conundrum.
Even my position as Book Club Director could be construed as inaccurate.
After all, we’re not reading any books, are we? The premise of NoteStream has little to do with dusty bookshelves or the evocative smell when you open a crinkled, wonderfully sepia-stained Famous 5 paperback for the first time since you were seven and double over with nostalgia for lashings of ginger beer.
It’s about crystal clear type illuminated in a slab of cold, hard steel.

Category: Book Club

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Pride and Prejudice: 3rd Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Great Expectations: 2nd Installment

Click here to begin with the 1st Installment!
By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

Pride and Prejudice: 2nd Installment

Click here to begin with the 1st Installment!
Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

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Introduction to Jane Austen

With the 200th anniversary of Austen’s death coming next year, you can be sure that her name will once again be getting the recognition she never found in life and her many, many fans will continue to find solace in her stories from a gentler time.

Category: Biography

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Pride and Prejudice: 1st Installment

Many Bridget Jones fans may still not know the debt they owe to Jane Austen, so deeply is Pride and Prejudice embedded into popular culture.
But just as TV viewers swooned their way back to the novel after watching Colin Firth’s career-making portrayal as Mr. Darcy in the 1995 BBC adaptation, so readers keep coming back for more.
In a world so sorely lacking in gentle men, this “novel of manners” - first published in 1813 - still touches a tender chord in the modern woman and remains one of the most popular books in English literature.
The most headstrong Anna Wintour wannabes from Brooklyn to Berkeley can identify with the second-eldest Bennett daughter, Elizabeth, while raging and lusting over Darcy in equal measure.
The arrival of wealthy bachelor Mr. Bingley at nearby Netherfield Park sets hearts racing at the Bennetts’ Longbourn country home, none more so than Mrs.Bennett, who attacks her role of providing her five daughters with suitable husbands with a fierce vigor.
While the eldest, Jane, is quickly smitten with Bingley and he appears to feel similarly, Elizabeth repeatedly clashes with the haughty Darcy. It takes a while but the Pemberley Estate heir finally shows his true colors by saving the dignity and good name of the Bennetts and wooing the hard-to-impress Lizzie in the process.
First, she has to dodge a proposal from her cousin Mr. Collins and the nefarious attentions of militia officer and all around bounder Mr. Wickham.
Austen’s heroine gets her man in the end but it’s on her own terms, a feminist trailblazer long before the term had even been invented (French philosopher Charles Fourier is generally credited with coming up with the word feminisme in 1837).
In the end, love conquers all, overcoming Darcy’s pride and Elizabeth’s prejudice
The BBC conducted a poll in 2003 to find Britain’s best-loved book. Pride and Prejudice came in second after Lord of the Rings. Bilbo over the Bennetts, dwarves over Darcy. I’m sorry ladies, there’s still a way to go.

Category: Pride And Prejudice

View NoteStreamSave to App

Great Expectations: 1st Installment

By the time Charles Dickens put pen to paper to begin his 13th and penultimate completed novel there was indeed ample reason for Great Expectations.
Although he hadn’t pioneered the serialized novel, Dickens certainly popularized the form and his expectant audience now ranged far beyond the shores of his native Great Britain. The plot line he later called “a very fine, new and grotesque idea” centers around the dingy marshes of Kent and London in the early to mid-1800s but the novel’s themes of wealth and poverty, love and rejection and the eternal battle between good and evil relate to readers everywhere and ensured the book’s enduring popularity.
Seen through the eyes of an orphan named Pip, the world often seems a very scary place, bleak with convicts, prison ships and bloody violence. It’s not like the dark deeds creep up as a great surprise - the story famously opens in a grim graveyard where our hero barely escapes with his young life.
Along the way we meet colorful characters such as the eccentric Miss Havisham, Estella, the icy beauty and escaped convict Abel Magwitch who have long cemented themselves into popular culture. Pip’s wide-eyed observations ensure that he - and the reader - are never down for long.
The first installment of Great Expectations was published on December 1 1860 in Dickens’ weekly magazine All The Year Round and was serialized until August of the following year. The short chapters and the mathematical structure reflect the way it was published in stages to keep readers satisfied with complete stories within a story while thirsting for more. There are three key stages - Pip’s childhood and his dreams of escaping poverty, his life in London having received an inheritance through a mystery benefactor and his disillusionment at discovering the grand life he had sought was not all it was cracked up to be - and these in turn are further divided up into 12 parts or roughly equal length, making the novel’s structure “compactly perfect,” according to George Bernard Shaw.
The novel is a Bildungsroman, a coming of age story focusing on the moral growth of the protagonist from youth to adulthood, a genre that encompasses such classics as Charlotte Bronte’s Jane Eyre, Mark Twain’s The Adventures of Huckleberry Finn and much more recently, J.K. Rowling’s Harry Potter novels and The Kite Runner by Khaled Hosseini.
Dickens was persuaded to change his original ending to offer Pip a more hopeful future but literary critics and readers are split over the decision. In NoteStream’s new 21st Century serialization, Book Club members will get to choose which one they like best.

Category: Great Expectations

View NoteStreamSave to App

A Christmas Carol: Day 26 - Final Installment

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It’s Christmas morning and Scrooge is ready to make the rounds!

Category: A Christmas Carol

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A Christmas Carol: Day 25

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Scrooge meets a grave future if he cannot find a way to change his path.

Category: A Christmas Carol

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A Christmas Carol: Day 24

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Again Scrooge meets the Cratchit family, however, the company has changed.

Category: A Christmas Carol

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A Christmas Carol: Day 23

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Scrooge dares not look upon the face of a dead man although others seem pleased of the man’s passing.

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A Christmas Carol: Day 22

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Strangers inquire about items of worth and discuss the merit of thieving.

Category: A Christmas Carol

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A Christmas Carol: Day 21

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A strange phantom or the Ghost of Things Yet to Come? Scrooge fears the shadow leading him into the street.

Category: A Christmas Carol

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A Christmas Carol: Day 20

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Identities are revealed and Scrooge bids Farewell to the Ghost of Christmas Past.

Category: A Christmas Carol

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A Christmas Carol: Day 19

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An irreverent game leaves Scrooge short of breath as he and the spirit move on.

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A Christmas Carol: Day 18

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Scrooge eavesdrops on his niece and nephew to his own discomfort.

Category: A Christmas Carol

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A Christmas Carol: Day 17

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The mere mention of Scrooge's name at the Cratchit celebration brings with it a shadow and concern.

Category: A Christmas Carol

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A Christmas Carol: Day 16

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The Cratchits enjoy a feast while Scrooge contemplates the future of this family.

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A Christmas Carol: Day 15

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Bob Cratchit and his family celebrate a happy Christmas.

Category: A Christmas Carol

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A Christmas Carol: Day 14

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The townspeople are merry on Christmas day as Scrooge and the Ghost of Christmas Present look on.

Category: A Christmas Carol

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A Christmas Carol: Day 13

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Scrooge is introduced to the bountiful Ghost of Christmas Present.

Category: A Christmas Carol

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A Christmas Carol: Day 12

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A lost love remembered is too much for poor Scrooge to bear.

Category: A Christmas Carol

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A Christmas Carol: Day 11

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A young love is released, and replaced by a golden idol.

Category: A Christmas Carol

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A Christmas Carol: Day 10

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Observing his former employer’s holiday celebration, Scrooge suddenly wishes he could speak to his clerk.

Category: A Christmas Carol

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A Christmas Carol: Day 9

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Still in the past, Scrooge laments friends of yore and wishes he had been kinder to the young caroler.

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A Christmas Carol: Day 8

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Scrooge and the spirit visit the past; a large house of broken fortunes.

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A Christmas Carol: Day 2

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Scrooge makes his Christmas intensions perfectly clear to his nephew.

Category: A Christmas Carol

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A Christmas Carol: Day 3

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Fog and darkness fall as Scrooge and his faithful clerk call it a day.

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A Christmas Carol: Day 4

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“Like a bad lobster in a dark cellar,” Scrooge returns home to discover both sights and sounds he won’t believe.

Category: A Christmas Carol

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A Christmas Carol: Day 5

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Jacob Marley’s ghost appears before Scrooge.

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A Christmas Carol: Day 6

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A promise of three spirits to come leaves Scrooge on the edge of his sanity.

Category: A Christmas Carol

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A Christmas Carol: Day 7

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The Ghost of Christmas Past appears before Scrooge.

Category: A Christmas Carol

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